A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
In the studio, the individual musician must be sequestered, provided with the minimum of information and protected from suggestion and influence. All that he can know must be restricted to the state of the composition at the stage of its evolution that the Producer chooses to engage him. As much as possible, composition should occur during the recorded performance. To facilitate, the Producer may need to lie, misdirect, misinform or confuse the musician. It may be helpful to move the goal posts at the last moment. The musician should not be allowed to see the Big Picture until the composition exists in a near finished form, and, ideally, only after he has contributed to it. The musician should be alone with his thoughts, uncertain but determined. Isolated. The goal should be to capture the unique and distinctive voice of the individual as he struggles to cobble. Only once over the course of the entire Lady From Shanghai project did any two band members find themselves in the same building at the same time. Even then, Michele and Robert were not in the same room at the same time for more than thirty-seven seconds. Neither heard what the other was playing. Conversation was limited to pleasantries. I shooed them away brusquely.