„We are still mythical;
we are still
permanently trapped
somewhere between the heroic and the pitiful”

Kate Tempest, writer, musician

„Metrical rigour and adroit rhyming are not yet among her accomplishments. She has a pretty, cherubic face, framed by unbrushed red blonde hair and she speaks in a Caribbean lite patois that translates ‘those things’ into ‘dem fings’. This linguistic pattern has many fans among the elite. It’s seen as an emblem of barbarous innocence, of instinctive passions bred in the ghetto, of an unschooled and therefore superior creativity. And it particularly excites Arts Council grandees who believe their mission is to reach down to the uncivilised and protean human type. Which Tempest perfectly represents.”

About Kate Tempest’s poetry by Lloyd Evans playwright and sketch writer in good old British conservative magazine The Spectaor. He also says „She is also pessimistic to the point of superstition. She sees malevolence everywhere.”

from the album Let Them Eat Chaos on Fiction Records (UK). Her former records were released by Big Dada/ Ninja Tunes.

„Illusion, my darling, everything is just illusion. Believe me! Causeless bustle, but many of us think it is the order itself. Childish illusion. But the method, it is deserving.”

Alexander the Lame

Challenging childhood on a council estate outside Swindon (UK), saw him immerse himself in music, books and poetry as a means of escape.

OLIVER WILDE

„As a kid, I thought no one in the world felt like me. Then I discovered Nick Drake, Daniel Johnston, Conor Oberst and Kurt Cobain. Hearing Sparklehorse was a revelation. Their music expressed exactly how I felt. It was a hugely liberating experience because suddenly I wasn’t alone.”

„I was this loser emo kid, sitting in my room, trying to come to terms with all the negativity in my life. As self-therapy, I made these little songs about how I felt. Writing them was a cathartic release. Rather than carry this heavy subject matter around in my head, which made me depressed, I turned it in to music. I took the cliche´s of pop – the structure, the form, the earworm hooks, the emphasis on rhythm – and made them ugly in order to address wider demons. The idea that anyone would hear it was appalling. Those really were my diary entries. They were so personal and humiliating. I felt incredibly exposed.” But by accident, one of Oliver’s early songs was discovered by Adrian Dutt, his co-worker at a Bristol record store and co-owner of Howling Owl Records.

“You’re So Kool-Aid, for example, has a catchy tune, a beat and a bass synth. It’s funky, but it’s about suicide.”

From the album Post-Frenz Container Buzz

LP on Howling Owl Records (UK). Digital

DELACAVE

– is a duo of Lily Pourie and Sebnormal, whom has many formations, the most known is psych garage rock band The Feeling of Love,

– plays degressive rock like Neue Deutsche Welle group Malaria! in the early 80s,

– and they have another duo together Le Chemin De La Honte,

– on the recordings Cheb Samir was playing on drums from Italian psychedelic no wave band Trans Upper Egypt

New album ‘IF I AM OVERTHINKING, TALK ABOUT ANYTHING, ANY DAMNED THING’ on TEENAGE MENOPAUSE RECORDS (France). Listen to it!

INTERESTING PROJECT RISES BY DEEP ITALIAN TRADITIONAL RULES OF LOVE

CREAPOPOLVSQVE

„Our mission is make LOVE for make PEOPLE.”

and make hot ambient industrial & horny drone noise

Mentula Aurum cassette on NO=FI Recordings (Italy)
(Mentula Aurum means Golden Dick in Latin)

CREAPOPOLVSQVE = Katzy and Matzy, aka Stefano and Valentina.

I know Stefano from noise rock band Hiroshima Rocks Around, and noise wave duo Maximillian I°.

Valentina as Mushy plays Cocteau Twins-like haunted minimal synth (Three Legged Cat and Clandestine Recs), and as Phantom Love fabricates kraut cosmic trance (Mannequin Recs).

NEW RELEASES BY DUTCH ELECTRONIC LABEL

ENFANT TERRIBLE

ADOLF FILTER or Schwedisch Deutsche Freundschaft. 7″ on sublabel Petit Enfant.

UNRUHE (ie Restless), a compilation all about acid: spacey and trippy by ZARKOFF (Croatia); distorted and freaked out by ROBERTO AUSER (Holland); industrial by FOQL (Poland); and uncompromising analog terror by THE UNTITLED (Netherlands). 12″ EP on sublabel Gooiland Elektro.

BRANNTEN SCHNÜRE, German psychedelic dark folk duo, inspired by Nico, Novy Svet and David Jackman. LP on sublabel Vrystaete.

Adolf Filter + FOQL + Zarkoff + Adolf Filter + Brannten Schnüre + The Untitled >

Ben Greenberg (ex-The Men) and Michael Berdan (ex-Drunkdriver)

are in UNIFORM.

It’s an industrial metal machine, like the Ministry was.

But most telling about the world of UNIFORM the artists they like:

Pier Paolo Pasolini, Hermann Nitsch, Monte Cazazza, Helios Creed

Second album WAKE IN FRIGHT OUT NOW on SACRED BONES (US)

Berdan says about lyrics: Thematically these songs have more in common with the works of Hubert Selby, Jr (Last Exit to Brooklyn) than Lucio Fulci (City of the Living Dead). These are stories about people at the end of their proverbial ropes. Their old medicines are no longer effective and their old ways of living cause them nothing but confusion and despair. They are paralyzed by fear, regret, and self-doubt.

Greenberg says about music: This music is our response to and our reflection of the overwhelming violence, chaos, hate, and destruction that confronts us and everyone else in the world every day of our lives. When we play, I don’t feel powerless anymore. I hope this record can help others transcend their anger and frustration.

Anyway

French synth-punk band CHEVEU and GROUP DOUEH from Western Sahara spent two weeks together in the city of Dakhla in 2016, and they wrote and recorded an album together.

Western-Sahara is the home of Sahrawi people. They are speaking a variant of Maghrebi Arabic, and have Berber, Bedouin and Black African ethnic backgrounds.

Their basic instruments are percussions and traditional stringed instruments which ones often replaced by electric guitar nowadays. The region was under Spanish rule until 1975, then Morocco and Mauritania divided up, but there is a movement of independence, called Polisario, which established his state in the inner Western Sahara.

On the one hand – The leader of Group Doueh was born in Dakhla in 1966, at that time it was a village. Of course he made his first guitar himself with metal can and fishing wire – as the legend says. His heroes are Jimi Hendrix, James Brown and Mark Knopfler, and also influenced by Moroccan chaabi and psychedelic music, e.g. Nass El Ghiwane, which was established as an avant-garde political theatre in 1971.

„When I take the instrument, I leave elsewhere. I am absent. Music is my life. I inherited from my father who played percussion from house to house. I can approach any kind of styles, but I track down traditional music, the source.”

On the other hand – French trio Cheveu is not really punk in fact, rather outsider, in out of control zone, somewhere between the crazy psychedelic rock of the 60s and the no wave, industrial and electronic music of the late 70s.

At first files were exchanged, then Cheveu went to Dakhla to play, write and record songs together for two weeks. It was hard to bring together these distant universes.

The music of Doueh is often very ornamented improvisation. „The trigger thing was to fix one of their themes in punk rock mode. It freed us. They made a lot of improvisations, variations, and whenever you thought you had picked up, they left elsewhere…” „At this stage we played a few selected pieces of our repertoire to show what we are going to see (…) in response they suddenly started „Acid Waltz”, a theme brought by us, but they little by little made twists on it.

And finally there was a common live show at a venue. „At first Group Doueh goes to the stage, later Cheveu joins them. And everyone begins to find his place in a repertoire that they have refined for ten days. David takes the microphone. Some women dance. There is even a Parisian who made the trip after he saw the announcement of the event on Facebook. All of a sudden, Hicham turns to me: „Alan Vega in the sand! ”

OUT NOW ON BORN BAD RECORDS (FR)

Pop like The Pixies, and punk like the Parquet Courts, with such great songs like the aforementioned have.    

TERRY is an Aussie quartet with members of such great bands as UV Race, Total Control, Dick Diver, Constant Mongrel or Lower Plenty – and Xanthe Waite sings one of Mick Harvey’s Gainsbourg album.

It has been formed after a Total Control US tour in Mexico City in 2015 when two couples have decided to start a simple and charming pop band that could tour and vacation together. But more telling about that “simple and charming pop” that The Rebel (ex-Country Teasers) was chosen to play with them on their first show in London.

8 GIRLS on 7″ VINYL by TERRY

RECENTLY RELEASED on UPSET THE RHYTHM (UK)

The three songs explores themes of patriarchy in politics, mass consumption versus lifestyle choices and the dating scene. On the cover you can find seven Australian politician women, and one Angela Merkel. They said about  

The national identity in Australia is primarily male. Women in the public sphere are expected to take on the characteristics of national identity more so than men. They are also required to prove themselves as Australian women.

Not only are female Australian politicians expected to represent characteristics of national identity they usually also show a greater level of Australian masculinity. It’s a fast track to be taken seriously. But many of the females in power seem to give up common sense.

Some women I have found

Health Minister poor Sussan Ley has resigned after using a taxpayer-funded trip to purchase an A$795,000 (£473,300; $585,200) apartment on Queensland’s Gold Coast in 2015. And also went to New Year parties in 2013 and 2014 on taxpayers’ money.

Lower house speaker Ms Bronwyn Bishop charged taxpayers A$5,000 (£2,300, $3800) to fly by helicopter to a Liberal Party fundraiser in 2015. It was a journey of 65 km (40 miles). At longest one hour with car. And of course she had not just a car, but a driver too, paid by taxpayers, of course. She also claimed expenses for attending weddings, opera and art events. Resigned as speaker, and was defeated on the next election.

Right-wing populist senator Ms Pauline Hanson and her male mate were sentenced to three years imprisonment in 2003 because of false statements about their party members in order to register their organisation in Queensland as a political party, and apply for electoral funding.

In her book, titled The Truth, Ms Hanson predicted that in 2050 Australia would have a lesbian president of Chinese-Indian background called Poona Li Hung who would be a cyborg. No wonder that one of her party candidate, Ms Stephanie Banister, said in an interview that Islam is a country, and the Jews worship Jesus. And she is a graduated woman.

„Money, you got plenty of it
You leave it around your place
Who knows?
You might end up in the bin”

Terry – Bin

*

Ha-ha-ha, those amounts of money are ridiculously tinies. A tip category in the post-communist Hungary. But the rate of stupidity of senator Ms Hanson and Ms Banister is ordinary in the Hungarian policy and public life.

But what is absurd. The almighty Liliputin dictator, Viktor Orbán – aka über führer – , his government and the feudal lords of Hungary have recently made war on the civil society, in order to prevent the organized objection and extirpate the pluralism.

Just like in the pre-Stalinist Hungary in 1947-48, when communist minister of the interior, László Rajk, banned the civil organizations. He ended up on a gallows as the star of a show trial in 1949.

So dear Australian friends you must – how comrade Lenin said – learn, learn, and learn.

from their debut album TERRY HQ on UPSET THE RHYTHM (UK)

„As some of the injuries done us have become intolerable we have still been clear that we wished nothing for ourselves that we were not ready to demand for all mankind – fair dealing, justice, the freedom to live and to be at ease against organized wrong.”

Woodrow Wilson, president of US, inaugural address, 1917

DOOMSDAY STUDENT

is a perverse noise rock band like Lightning Bolt or Happy Flowers

new album A Self-Help Tragedy on Skin Graft and 3-1-G Records (US)

You can listen to in it its entirety

After five years, Doomsday Student will be touring Europe again. We’ll be there May 27 though June 8 of 2017! More details, including cities and venues are forthcoming.

DS has been formed by ex-members of perverse noise rock band Arab on Radar. It was so perverse, that when it was opening for Marilyn Manson in their hometown, Providence, Rhose Island, the band was expelled out from the club by the audience.

„Going to the Feelies this evening, Henry?” enquired the Assistant Predestinator. „I hear the new one at the Alhambra is first-rate. There’s a love scene on a bearskin rug; they say it’s marvelous. Every hair of the bear reproduced. The most amazing tactual effects…”

In Huxley’s Brave New World THE FEELIES are entertainment devices,
in the reality are an American „alternative rock band”,
but today this term means nothing, even it would be startling.
They had one of the biggest influences on R.E.M., but I dislike them,
but I’m sure also on the Parquet Courts.
It was said they were the best underground band in New York,
and are among the nation’s most beloved alternative rock bands,
but their first records were released in the UK by Stiff and Rough Trade Records in 1979/80.

„The sound we were after was a reaction against the punk scene (…) we felt it had all been done before. We wanted the guitars to be cleaner, and we started experimenting with a lot of percussion.” But punk is just an attitude.

After their first album CRAZY RHYTHMS there were five years hiatus, because two members left the band. One of them, the drummer, Anton Fier went to The Lounge Lizard, worked with Pere Ubu (the 1978 Pere Ubu EP Datapanik in the Year Zero was dedicated to him), was in the Voidoids and founded The Golden Palominos.

After four albums The Feelies disbanded in 1992, reunited in 2008 by request of Thurston Moore, new record in 2011, brand new one in 2017 on BAR/NONE RECORDS (US)

Anyway they are like The Velvet Underground without heroin. And otherwise the Assistant Predestinator is an Alpha male that is employed at the Hatchery and Conditioning Centre. His job is to make all the decisions on the new humans being created. Predestinators decide whether that individual will become an Alpha, a Beta, a Delta, a Gamma or an Epsilons. Each caste level is raised with different hynopaedia lessons and has different roles in the World State.

Huxley set the story in London in 2540. There the non-conformity is a crime, so the punks are dead. Or in jail or metnal hospital. But nevermind, here are the AI and the Smart People Party! Get the app!

BAEDEKER TO THE BRAVE NEW WORLD